Monday, July 17, 2017

Ode To My Mother, by Assata Shakur

The following was penned by Assata upon the tragic passing of her incredible unconquerable mother Ms. Doris Johnson on Sep 7, 1998...Incredibly it was also on the same night that Tupac Shakur was shot!...
It was shared at last night's moving 70th birthday tribute to our most beloved exiled freedom fighter, capturing her soulbaring attempt to defy the pain of exile in the face of a most personal crisis and loss...Stories coming soon...



Ode To My Mother,by Assata Shakur
For her mother, Doris Johnson,who passed away on Sept. 7, 1996

            My mother was Doris Johnson…
            She was a descendant of slaves. She was an Afrikan woman, far away from Afrika.
My mother was born in the 1920s. She was a child of the Depression. She knew what it meant to stand in line for bread and government cheese. Although my mother grew up in Queens, New York, her parents were from Wilmington, North Carolina. She experienced rampant discrimination in the North and the humiliation of racial segregation in the South. and suffered all her life under the racist institutions and the racist policies of the united states government…
            My mother was Doris Johnson…
            She was a short woman, just a little over five feet, but there was nothing about her that was petite or fragile. Her skin was like clover honey, her face liquid, always moving, always changing. One cut of her eyes could stop you dead in your tracks, just as one of her observations could make you double up in laughter. As a young woman, my mother was stunningly beautiful. Her beauty was never truly recognized. She was sensitive and intelligent. Her astuteness was never really appreciated. She lived in a racist country that denied her humanity, assumed her inferiority, minimized her abilities and demanded her passive acquiescence.
            My mother was Doris Jackson…
            She was tenacious, always thinking, always planning. She was cautious yet fearless. Her body moved in quick impatient gestures. She had her own special way of talking-she spoke in vivid, incomplete sentences that always got the point across. She was an observant woman, searching, exploring, intense. When provoked, she could be explosive. She was a tooth and nail person. She could never stand anything that was halfdone, that was halfhearted. She believed in putting your whole heart into things, in doing your absolute best. She believed in sweat and elbow grease. One of the quickest ways to annoy her was to mutter the words ‘I can’t.’ She was a fighter and she believed in fighting to the last minute, to the last breath, to the last drop of blood.
            My mother was Doris Johnson…
            She understood the value of education. She worked and she studied. She worked hard and she studied hard. In order to finish college, she worked doing days work. She worked in offices, she worked in factories. She graduated from Hunter College in New York. She then became a teacher in the New York City school system. It was there that learned of the damage that the schools do to Afrikan children. Working as a teacher, she witnessed the racist indifference of those who control school systems. She saw how children of color were tracked into inferior, dead end curriculums. She worked in ‘600’ schools and saw how Black and poor children were labeled as ‘criminals’ and ‘troublemakers’ way before they reached adulthood.
To pay the bills, my mother worked two or three jobs at the same time. She took after school jobs, summer jobs, whatever she could get. My memories of my mother are often tied to work. I see her eternally marking papers, writing in plan books, cutting up crepe papers for school plays. With two young daughters, my mother went back to school to get her masters degree. I can remember her then, her head stuck in a book, always running, always tired, coming home from work, cleaning and cooking and then running off to school.
            My mother was Doris Johnson…
            She was oppressed as an Afrikan and as a woman. From early childhood, her life was one of discrimination. She told us many stories. About the teacher who opened the door with a handkerchief so she wouldn’t have to touch the same doorknobs as Black children. About winning a scholarship to a predominantly white school where the white students turned over garbage cans and sat on them, rather than sit next to my mother. She told us about being fired more than once for telling off the racist bosses. Although she spoke clearly, she was forced to take the oral exam because she had an unacceptable ‘accent’.
            As an Afrikan woman, my mother went thru hell. She grew up in a period where Black women were considered ‘ugly’ and ‘inferior,’ and when almost every aspect of the reinforced that racist concept. She lived in a time when women were expected to be submissive, to suffer silently. She lived in a time when men were taught to see women as little more than sex objects. There were men who resented my mother’s intelligence, and saw her achievement as some kind of a threat to them. It was impossible for my mother to escape the constraints of her era. My mother lived through turbulent destructive relationships and for a long time, she was a battered woman. In the latter years, like so many Black women, she was alone. Like so many of her sisters, she chose a life of solitude and dignity, rather than to face or tolerate betrayal, disrespect or abuse.
            My mother was Doris Jackson…
            Her life was not an easy one. She faced a hostile world, and had to raise two children with very little support. There were too many pressures and too many responsibilities. There were many problems, health problems. There were times when she found those problems overwhelming and she tried to escape. She tried to run away. She tried desperately to dull the pain. But my mother was a courageous woman. She found the courage to confront her difficulties and to overcome her weaknesses. She found the courage to stand on her own two feet, to confront the pain and difficulties and to go on with her life, but it was hard.
             My mother is Doris Johnson…
            She wanted to protect her children. She wanted them to lead good lives. At first, she found it hard to understand my choices.I was her eldest daughter with a big bushy Afro and a big rebellious mouth.  My mother saw me as I was, part women, part child, idealistic, wild and serious. She was afraid for me. But soon she came to understand the intensity and the totality of my commitment. She knew me better than anyone, and knew that it was impossible to live some dream-like, middle class existence in the midst of so much racist oppression.  Gradually, she not only accepted my choices, but she supported them. Gradually, my mother also became my comrade.
            The choices I made weighed heavy on her. She would see me sporadically. They were often quick, erratic visits. Sometimes I would come home exhausted, tense, preoccupied, and she would scold me for being poorly fed or poorly dressed.
And then came the absences. The times when I had to go underground. They were difficult times for me and they were terrible times for her. So many nights when she scanned the radio news stations, waiting to hear some dreaded news. She had to sift thru the lies. Ignore the slander and the total denigration. I will never forget when I was captured. I did not know how my mother would react. I remember how she told me in no uncertain terms, that she was proud of me and that supported me all the way.   
            My mother was Doris Johnson…
            For almost 30 years, her telephone was tapped, her home was bugged and there was an electric eye next to her apartment door. My mother was constantly followed, constantly harassed. There were mysterious break ins of her house where nothing of value was taken. My mother endured all kinds of searches, stripsearches to come and see me in prison. She would travel for hours, and there were many times when they refused to let her see me. The police tried to terrorize my mother in her home and on her job, and when I was able to escape, they harassed my mother to the point that she had a heart attack.
When I was pregnant with my daughter Kakuya, my mother underwent a metamorphosis. She dedicated her entire being, her complete energy to Kakuya’s survival and to her education. My was intent on making sure that Kakuya grew up to be strong, that she grew up Afrikan, that she grew up knowing who she was, and where she came from. From the moment she was born, my mother surrounded her with African images, African culture, and an abundance of love. When she was just a little baby, my mother read her poems by Paul Laurence Dunbar, Langston Hughes, Margaret Walker and a multitude of Afrikan and Afrikan American poets and writers. She taught Kakuya about Harriet Tubman, about Nat Turner and about the long struggle of Afrikan people.
            My mother was Doris Johnson…
            She came through snowstorms and through thunderstorms to bring Kakuya to see me. She fought the school system. She fought the prison system. She fought whatever system there was that was holding down her children, holding her people down. My mother was shy, but she loved our people. She was a great listener. She was compassionate. As one of our elders, she tried to be objective, to understand what people were saying, what people wanted, what people needed, and to give good advice.
My mother had a beautiful smile and she gave it freely. She gave it generously.  She made people feel comfortable, feel like they had known her for years. When my mother really liked somebody, her favorite complement was to say that they were ‘down to earth.’
            My mother was an activist.  She was always present. She was always supportive of our struggle. On cold winter days, on hut summer nights, you could find my mother at rallies, on picket lines, at meetings to free political prisoners.
            My mother was Doris Johnson…
            She loved life. She loved colors. She loved brightness. She loved art, especially Afrikan art. She loved music. Her favorite was what she called Progressive Jazz. She loved Errol Garner, Miles Davis, John Coltrane and so many others. It was thru my mother that I learned to appreciate the Blues, to appreciate Calypso, to love Gospel. It was from my mother that I learned to appreciate the culture of the Diaspora, to love rice and peas and curried chicken. It was from my mother that I learned the limbo dance, about Paul Robeson and Katherine Dunham and Miriam Makeba. My mother came to visit me often in Cuba. She felt at ease here, said it was one of the few places she could really relax. When she returned to the states from one of those trips here, she was asked if she was a terrorist because she visited Cuba so often.
            My mother was a bridge player. She played duplicate bridge and she loved to play in tournaments. To her, the mind was a muscle, and she believed that if you don’t lose it, you would lose it. My mother loved to laugh, and loved to party. She loved to travel, to experience new things. In short, she loved to learn. My mother loved to read, and her books bear her special emblem. She would write notes on the border of pages, on tops of pages, and it is much joy that I open the books that she gave me and encounter her scrawling notes.
            My mother was a family person. There was no sacrifice too great to make for her family. She loved her children, Beverly and I, and she loved her grandchildren, Donny, Brad and Kakuya. She and my Aunt Evelyn were sisters in struggle. They fought together. They plotted together, resisted together, kept our family together. My mother was a family person. She gave most of her money, every bit of strength she had to help take care of my grandparents. My mother instilled in us the importance of family and the importance of love. She taught us the importance of unity. She taught us to take care of each other, to look out for each other. My memories of my mother are intrinsically tied to struggle. I will never forget her speaking Spanish and pretending to be some kind of diplomat just so my sister and I could enter an amusement park in the segregated South. My mother did not live by America’s rules. She taught us that when you live by the rules of your oppressor, you will always be ‘it’ and you will always ‘strike out.’ I will always remember her hiding Kakuya’s baby bottle in her bosom, because baby’s milk was contraband in jail. So many little memories of her individual acts of resistance come to me now. If I try to write them down, I will cry again.
            My mother was Doris Johnson…
            She had the courage to reach out. She had the courage to grow. She had the courage to heal. She was committed to our family, our extended family. She was committed to our struggle. She was committed to our people. She was a freedom lover. My mother was a spiritual person.  She was not too fond of organized religion, but she paid great homage to our ancestors. She never forgot the history of our people, or the history of our struggle. My mother loved this earth, and she paid homage to its beauty. My mother prayed for a better world as she fought for one. My mother was a decent human being. If there is paradise,  I know she is there. If there is an upper room, I know she is up yonder with her god. My mother died on the day of Yemaya, who is the mother of all life, the Yoruba goddess of motherhood and the sea. I am sure she is there with the ancestors. I am sure she is looking over us, looking out for us, lending her strength and her energy. My mother has made our ancestors proud. I can only hope to follow in her footsteps, to follow her example.
            I thank my ancestors, and I thank my god that my  mother was Doris Johnson. Mommy, I love you so much. Mommy, I will always love you. Mommy, I promise to carry on…

Wednesday, July 12, 2017

Baptism In Rebellion ( A People's Children's Poem for Lauren Walker)



Baptism in Rebellion
(the epic Newark Rebellion of ’67
thru the eyes of a child,
for Lauren Walker)
by ‘bro.zayid’

“Momny!
“Dey breakin’ windows
“oooooh!
“dey baaad!...

“ooh! Mommy!
“Look at all the toys and clothes
an’ tvs and stuff they takin’
“Are dhose boys stealin, Mommy?

“Why dhose redlights on dhose cop cars
be so loud for, Mommy?
“Somebody in trub-bol,
“Huh, Mommy…

“Oooh! Look Mommy!
Dey startin a big fire ova  dare, Mommy!
“Ooooh…

“Ooh! Look Mommy!
“De cops got dey guns out!
“Wow!...

“Are dey shootin fo’ real, Mommy?
“With real bullets?

“Mommy!
“Da cops hit dat man in his head
an’ bust his head open
an’its bleedin!...

“Mommy!
“Dey thro’ dat lady ona groun’
An’ dey kickin her all in her back
An’ all in her stomach, Mommy!

“Mommy!
“Dey hurt her real bad
an’ she wasn’t even doin nuthin!?

“Mommy!
Why we walkin’ so fast for, Mommy?

“Ooooh! Mommy!
“DEY SHOT DAT BOY!!
“Look at all that blood comin outta his leg!...

“Ooooh! Mommy!
“Dey shot anudda man!!
“An’ lady dat’s wit’um
is callin’ dhose cops all kinda names!
“An’ she say bad words too!...

“I’m comin, Mommy!
“I’m comin…

“Mommy
“You aint say ‘excuse me’ when you hiccup’d
“An’ why you holdin your side?...

“Mommy…
“What’s de matta?
“Why you fall down on da groun?...

“Mommy…
                 “Mommy…
                                        “Mommy, you bleedin…

“Mommy, wake up…

“DEY SHOT MY MOMMY!!!
“I HATE COPS!!!”...


©1986


Monday, July 10, 2017

front and center with baba zayid: FOR THE LOVE OF FREEDOM! LOVE FOR ASSATA @ 70!

Special To Front And Center with Baba Zayid: FOR THE LOVE OF FREEDOM! LOVE FOR ASSATA @ 70!: THE NJ BLACK PANTHER PARTY COMMEMORATION COMMITTEE 973 202 0745; 973 738 2205 njbppcom50@gmail.com “To move a blade of grass is t...

FOR THE LOVE OF FREEDOM! LOVE FOR ASSATA @ 70!



THE NJ BLACK PANTHER PARTY COMMEMORATION COMMITTEE
973 202 0745; 973 738 2205
“To move a blade of grass is to change the world…”
Huey P. Newton

July 3, 2017

FOR IMMEDIATE RELEASE!

EXILED PANTHER ASSATA SHAKUR WILL BE FETED AT 70!

            On Sunday, July 16th, a cross section of activists, artists and humanitarians will come together to salute Assata Shakur, the long exiled Black Panther who resides in Cuba to mark her 70th birthday.
          The gathering is called ‘For The Love Of Freedom: Assata Is Always Welcome Here-An Honoring of 70 Years of a Committed Life.’
          It will not be the usual maligning of Shakur in connection with the bounty on her head that comes from the NJ State Police, the FBI and the law enforcement community.
          Instead, it will be an evening of poetry, dance, song, testimony and more, appreciating the activist’s lifetime commitment to the struggle for human dignity.
          Shakur was born on July 16th, 1947 to a proud, independent Black family from Wilmington, North Carolina. At the turn of the 20th century, Wilmington was the site of a vicious ethnic cleansing attack that literally ran legions of African Americans from the town. Shakur’s grandparents dared to be landowning business persons against this violently segregated background. It is from this background that would emerge her own commitment and courage that she would take into the Black Panther Party as a college student.
          When the Black Panther Party was faced with the dangerous distinction of  being labelled the ‘greatest threat to the internal security’ of the country by the FBI, and when NY chapters of the Party came under particular attack after surviving the NY 21 case,  a case where 21 Panthers, officers and rank and file members were put on trial for bogus conspiracy charges to commit terrorist acts, charges that would have landed them in prison for the rest of their lives, Shakur  and a number of other Panthers opted to go underground and create the Black Liberation Army to continue their fight.
          On May 2, 1973, Shakur was shot and critically injured in an incident on the NJ Turnpike that would capture international attention. It is often referred to as the ‘Turnpike Incident,’ an apparent racial profiling stop by a NJ State Trooper. The incident left Shakur critically wounded, Zayd Shakur, the apparent driver dead and Trooper Werner Foerster dead.  At her trial, forensic evidence clearly established that Shakur was shot with her hands up, and that the Trooper who made the stop, James Harper, by his own admission, started the shooting and fled the scene. Yet Shakur and her co-defendant Sundiata Acoli, now 80 and still incarcerated, were each given sentences of life plus thirty years, after being convicted for the murder of Trooper Foerster. On November 2, 1979, Shakur was liberated from what was then the Clinton Correctional Facility in one of the most incredible moments in the history of the Black Liberation Movement after enduring threats on her life while in prison. She was since given exile in Cuba. She currently has a 2 million dollar bounty for her capture and was put on the FBI’s Domestic Terrorist List retroactively several years ago.
          Meanwhile, supporters of Shakur, and many others in the human rights community believe that cases like hers should be reopened in a context of a Truth And Reconciliation Commission that takes on how racism drove police violence and repression during that period, a framework comparable to what emerged in South Africa on their road to dismantling Apartheid.
          In 1987, Shakur penned a moving memoir of her life story, Assata:An Autobiography. She has lent her voice to other humanitarian efforts and to the support many other of her comrades from the Black Panther Party who are still in prison as a result of the now well-known COINTELPRO Operations that were empanelled to destroy the Party and other important Black leaders. She is the subject of a moving film Eyes Of The Rainbow done by critically acclaimed filmmaker Afro-Cuban filmmaker Gloria Rolando Ocasio. While murderously maligned by mainstream press and racist and opportunist politicians, she is considered a miraculous surviving link to the Underground Railroad legacy of her ancestors.
          “Assata was not even an officer or a leader in the Party, and yet there was this obsession with going after her, or rather with going after rank and file members of the Party, as intensely as they were going after its leadership.
          “What happened to her is a prime example of the length that the government was willing to go to destroy the Party,” said Zayid Muhammad, a longtime supporter of Shakur and a principal organizer of the gathering.
          “The fact that she survived her incredible ordeal and was able to secure some semblance of freedom, albeit exiled, is a testimony to the spiritual will of our people to survive the worse expressions of oppression and to be free,” he finished
          Just as this moving gathering will feature poetry, song, dance, testimony from Shakur’s comrades, as indicated above, it will also lay out meaningful support measures to be taken in support of her Party comrades still in prison, appreciation of the Cuban Revolution and its incredible solidarity with the African world and the oppressed, and more.
          This moving afternoon will take place at The REFAL Center, 271 So 9th Street, Newark at 4:30pm…

Thursday, June 29, 2017